Saturday, 25 October 2008
Rewards
Wednesday, 22 October 2008
Skirt of Excess
Inspired by Klimt's Beethoven Frieze which I saw at the Secession Hall in Vienna.
Some lunchtime leaves, which I snapped whilst taking a lunchtime walk. I have a few other photos which I will fiddle with a view to doodling in my journal.

P.S. to the 2 ladies I overtook whilst cycling up O. Hill this evening. I may be older, heavier and not so obviously as fit as you, but its called using a lower gear and higher cadence. Also your lights are pathetic. Hugs.
Some lunchtime leaves, which I snapped whilst taking a lunchtime walk. I have a few other photos which I will fiddle with a view to doodling in my journal.
P.S. to the 2 ladies I overtook whilst cycling up O. Hill this evening. I may be older, heavier and not so obviously as fit as you, but its called using a lower gear and higher cadence. Also your lights are pathetic. Hugs.
Tuesday, 21 October 2008
A look at Scheile
Egon Sheile's is best known for his figurative work - I preferred some of the few picutres I saw of his I saw that depictged his surroundings. So today I looked at them. I didn't spend a lot of time - just got pens, crayons and brusho out and just played with some shapes and colour. I noted there are some other avenues to look at, which I can follow by doing a little exploring of my surroundings (during daylight of course) with my camera. As far as trees are concerned the colours and shapes are at their best at this time of year.

The next one would be fun to develop of my road and surrounding roads: keeping it simple identifying the shapes and choosing an autumnal palette.

The next one would be fun to develop of my road and surrounding roads: keeping it simple identifying the shapes and choosing an autumnal palette.
Monday, 20 October 2008
A sketch a day....
...might not keep the doctor away but should give me something to look at on Friday. I have ideas in my head - they flit in and out but are better down on paper.

Pastel on brusho watercolour, taken from Attersee by Klimt in the Leopold Museum Vienna.

Pastel on brusho watercolour, taken from Attersee by Klimt in the Leopold Museum Vienna.
Saturday, 18 October 2008
Even more overlocker samples
Friday, 17 October 2008
How to ruin a sketchbook in one easy lesson
Whilst at the show I admitted to Sue, one of my new teachers that I hadn't done an awful lot of preparatory work for the first of the workshops which I will be attending next week. Despite my trip to Vienna, I had done very little art work unless you allowed for the Opie-isation of myself and my beloved. She gave me a few pointers to get me started on my sketchbook:
I then set about sploshing (yes that it is a technical term) on the pages:
washing, scrubbing, hatching etc. turning each page as it was covered. I then closed it up and let it dry (as I had been generous it has taken a while), unworried about colours merging or my sketchbook being perfect or beautiful:
Now that it has "cured" I now have a "ruined" sketchbook I no longer feel precious about. Have now got some lovely backgrounds to add to:
- don't start at the beginning.
- make a place for my sketchbook and just do a little at a time with whatever drawing implement (pencil, pen, charcoal etc.) each time I passed.
- get some background already painted on those pristine white pages.
12 paint brushes / foam brushes
One unsullied, untouched, pristine sketchbook
I then set about sploshing (yes that it is a technical term) on the pages:
washing, scrubbing, hatching etc. turning each page as it was covered. I then closed it up and let it dry (as I had been generous it has taken a while), unworried about colours merging or my sketchbook being perfect or beautiful:
Now that it has "cured" I now have a "ruined" sketchbook I no longer feel precious about. Have now got some lovely backgrounds to add to:
Thursday, 16 October 2008
Reporting back - Knitting and Stitching Show 2008
I wasn't going to go to this years Knitting and Stitching Show, as I had been with the college for the last 4 years. Also, this year was the first year I didn't need supplies, research for course or anything else. I did however, want to see my new tutors work which they were showing entitled 'Bodies of Evidence' in this they were working together to see how an embroiderer and a quilter would inspire each other. Their inspiration point was the human form and took a look at dancing and sporting activities. They produced a very vibrant show - plenty of colour, texture and movement. They were just across from Ruth Issett's display 'Connected with Colour'. This was a rare treat as most years she has been getting her hands dirty demonstrating at the Art Van Go stall. It was lovely to see her vibrant work translated from her colourful paper and paint samples into a forest of colour. Very rarely for displays at past and present Knitting and Stitching shows we were positively encouraged to take photos, so here is one I snapped with my phone camera of Ruth walking amongst her work:
A visit to the K&S show wouldn't be without a little bit of shopping. My budget got blown on the usual yummy fabric from Euro Links Japan (and this year I will use it) and a bag kit. This bag sewing, however, was put on hold when my next purchase turned up earlier than expected on Tuesday.
***Warning : this is either going to get my sisters nostalgic or running out the door screaming ***
Wandering around I found a very busy stall which hadn't been there in previous years: Clothkits are back. The one and the same company of 80s and early 90s fame resurrected for the new century. Their range is not vast but has some very cute childrens kits, some adult sized skirts and the classic doll t-towel. I had known of their renewed existence for a while (thanks to C) and had stopped short of making a purchase but could no longer hold back. Unfortunately they had sold out of the "Big Birdie - I Want One Too! Skirt" but were happy to take an order and send one on. I was expecting the kit to turn up some time around Friday, but it turned up first class post Tuesday, which M fetched from the Post Office for me. He was rewarded with me disappearing off to the studio for 5 hours to sew it up. It would have been just over 4, but I had to fiddle about with my overlocker to produce some cover stitched hems on the skirt and the lining. I completed the overcasting of the edges in record time with the overlocker, sewing the seams with my regular sewing machine seemed rather slow in comparison.
This is a rather fuzzy picture of the skirt showing the gorgeous Liberty print lining. Needless to say the skirt was finished by evening's end (despite one or two stupid numpty errors) and was proudly worn to work the next day. If I had to give some feedback I would say that some of the instructions could be a little clearer for a newbie sewer. Luckily I am not but it still didn't stop me from nearly ruining the lining by using the whole of the facing as a guide for adjusting the lining. Also it is a BAD idea to sew in a zipper which has been pinned into a skirt. Pin yes, but then baste it in and remove the pins so that it is a flat as possible. (lesson learnt from my first year at secondary school where I had to sew my zip at least 3 times, and most of my hapless classmates got a few machine needles stuck into their fingers).
A visit to the K&S show wouldn't be without a little bit of shopping. My budget got blown on the usual yummy fabric from Euro Links Japan (and this year I will use it) and a bag kit. This bag sewing, however, was put on hold when my next purchase turned up earlier than expected on Tuesday. ***Warning : this is either going to get my sisters nostalgic or running out the door screaming ***
Wandering around I found a very busy stall which hadn't been there in previous years: Clothkits are back. The one and the same company of 80s and early 90s fame resurrected for the new century. Their range is not vast but has some very cute childrens kits, some adult sized skirts and the classic doll t-towel. I had known of their renewed existence for a while (thanks to C) and had stopped short of making a purchase but could no longer hold back. Unfortunately they had sold out of the "Big Birdie - I Want One Too! Skirt" but were happy to take an order and send one on. I was expecting the kit to turn up some time around Friday, but it turned up first class post Tuesday, which M fetched from the Post Office for me. He was rewarded with me disappearing off to the studio for 5 hours to sew it up. It would have been just over 4, but I had to fiddle about with my overlocker to produce some cover stitched hems on the skirt and the lining. I completed the overcasting of the edges in record time with the overlocker, sewing the seams with my regular sewing machine seemed rather slow in comparison.
This is a rather fuzzy picture of the skirt showing the gorgeous Liberty print lining. Needless to say the skirt was finished by evening's end (despite one or two stupid numpty errors) and was proudly worn to work the next day. If I had to give some feedback I would say that some of the instructions could be a little clearer for a newbie sewer. Luckily I am not but it still didn't stop me from nearly ruining the lining by using the whole of the facing as a guide for adjusting the lining. Also it is a BAD idea to sew in a zipper which has been pinned into a skirt. Pin yes, but then baste it in and remove the pins so that it is a flat as possible. (lesson learnt from my first year at secondary school where I had to sew my zip at least 3 times, and most of my hapless classmates got a few machine needles stuck into their fingers).
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